“单身狗”
Lonely Dog
《功》
Kudoku
编舞/演出：编码人类舞蹈社（意大利）
Choreography/Performance:
Associazione CodedUomo/Compagnia Daniele NINARELLO (IT)
《倒立之树》
Inverted Tree
编舞/演出：渡边尚/头之口（日本）
Choreography/Performance:HishashiWATANABE/Atama to Kuchi (JP)
《半月》
Half Moon
编舞/演出：欧里·康臣拉 / 康舞蹈团（法国）
Choreography/Performance:OléKHAMCHANLA / Compagnie KHAM (FR)
演出日期/时间：2018.07.28（周六） 17:00
Performance Date/Time: July 28th, 2018 (Saturday) 17:00
演出场馆：北京天桥艺术中心 小剧场
《功》
Kudoku
编舞/演出：编码人类舞蹈社（意大利）
Choreography/Performance:
Associazione CodedUomo/Compagnia Daniele NINARELLO (IT)
节目简介：
空间是一个运动可以改变其物理与声音要素的地方。丹尼尔.尼雷亚洛的《功》是一部配以丹尼尔.威尼特.肯祖门的音乐创作，通过持续对话中的音景和讯息，把身体与空间两者间看不见的关系相互联系起来的作品。这个声音与身体的实验把人类的进展实质化地展示出来。人体里一直深藏着看不见的混沌，犹如藏着一条不断跳动的线，由内心的恐惧和想法所拨动，而只有舞蹈才能把这个对内心的追溯带到观众眼前。
Space is the framework where movements transfigure the physical and sonic elements of the space. Kudoku is where dancer/choreographer Daniele NINARELLO meets with musician Dan KINZELMAN on a common ground exploring through constant dialogue between the soundscape and the body.
编舞介绍：
丹尼尔.尼雷亚洛曾就读于荷兰鹿特丹舞蹈学院。他曾与多名国际编舞家及舞团合作，如布鲁诺.利斯帕德和维吉里奥.西尼。他还获邀在多个艺术节上演出，如：法国巴黎的圣德尼国际舞蹈节；意大利都灵的托里诺丹萨和互剧节；意大利的欧洲法布里卡文化中心；意大利的奥匹拉园节；意大利的波扎舞蹈节；罗马欧洲节；突尼斯国家戏剧节。
尼雷亚洛曾荣获多项奖项，近年来，他的作品更是得到了世界各地的艺术节以及国内和国际舞蹈中心的认可和支持，包括新意大利舞蹈平台，西班牙的空气波舞节，法国罗纳省国立舞蹈中心。
Daniele NINARELLO attended Rotterdam Dance Academy. He has worked with many international choreographers and companies such as Bruno Listopad and VirgilioSieni. His works have been presented in many festivals such as RencontresChorégraphiquesInternationales de Seine-Saint-Denis in Paris, Torinodanza and Interplay Festival in Turin,OperaestateFestival,Fabbrica Europa, Bolzano Danza, Romaeuropa Festival, Thêatre National Tunisien. NINARELLO has received various awards on his works, and in recent years, his works have been supported by festivals worldwide as well as national and international dance centers including NID Platform,Aerowaves and CCNR Relliuex-La-Pape.
《倒立之树》
Inverted Tree
编舞/演出：渡边尚/头之口（日本）
Choreography/Performance: HishashiWATANABE/Atama to Kuchi (JP)
节目介绍：
我们的身体是由何组成.约翰.赫伊津哈认为文化中的游戏成份是「人类的本质」。幼态延续，是我们成长中必需的阶段。它使我们无拘束地寻找未来的多样性、鼓励我们去探究和发掘未知的事情。基于这一种天性和本质，我们可以将琐碎的事情放在一边，放飞自我。
How is our body structured. As according to Johan HUIZINGA, human nature makes up the games in culture. Neoteny, the form that we have acquired during our evolution, is the ability to maintain the possibilities for the future without specialization. It encourages us to investigate and discover the unknown. It may be the tolerance of nature that allows us to set aside trivial items.
编舞介绍：
渡边尚，活跃于亚洲及欧洲艺术界。他从二十岁开始自学杂技，灵活运用四肢，在杂耍中发掘人类身上的动物本质，寻找倒立时独特的动作及灵活性。他努力使杂耍成为一种新的哲学学说，并将此与街头表演及马戏团区分起来。2015年，他成立了个人杂耍团头と口，引起了舞蹈界、杂耍界及马戏团界别的关注。2016年，他在神奈川艺术剧场进行个人演出，使他备受瞩目，在同年移居法国后获邀前往多个欧洲艺术节演出。
Hisashi WATANABE has been active in the Asian and European art world. He self-learned acrobatics from the age of 20, exploring on the agility of the limbs of the body, finding the intricate requirements of the body in a handstand. WATANABE promotes acrobatics as a new philosophy learning hence separating it from street performing and circus performance. In 2015, he founded his solo acrobatics group, AtamaToKuchi (from head to toe) and has since attracted from the dance, acrobatics and circus world. He presented a solo show at Kanagawa Arts Theatre in 2016 and same year moved to France. WATANABE has been invited to perform at many festivals in Europe.
《半月》
Half Moon
编舞/演出：欧里·康臣拉 / 康舞蹈团（法国）
Choreography/Performance:OléKHAMCHANLA / Compagnie KHAM (FR)
节目介绍：
《半月》 为法国／寮国舞者及编舞家欧里.康臣拉的实验作品。康臣拉的舞蹈由嘻哈、卡波拉、当代舞、舞踏、传统寮国及泰国舞蹈交织而成，将不断变化的都市舞蹈和凝定身体姿态的传统舞蹈相互结合，创造出一种独特的舞蹈语言。
Half Moon is an experimental work of Lao-Fench choreographer, Olé KHAMCHANLA. He wovens hip-hop, capoeira, contemporary, Butoh and traditional Laos and Thailand classical dance and combines the everchanging urban dance and the frozen postures of ancestral dances and creates his unique dance language.
编舞介绍：
出生于寮国，欧里.康臣拉在1990年开始学习嘻哈及其他不同类型的舞蹈， 如当代舞、卡波拉及舞踏等，续渐开始发展出自己的舞蹈风格。他常在当代编舞中融合不同舞蹈种类，包括嘻哈、传统东南亚舞蹈及舞踏，亦在实验中融合其他表现形式如戏剧、歌唱、绘画及影片录制。透过来自不同地方却又互通的媒介及取材，他向人类的本质发问，亦向他的灵感、事业、与他人的交流和他人的问题作出反思。
Native of Laos, Olé KHAMCHANLA discovered hip hop in 1990 and learned different dance such as contemporary, hip hop, capoeira, butoh, and from then founded his own unique style. In his choreography, he often integrates various dance styles such as hip-hop, traditional Southeast Asia, butoh, and experiments on incorporation of other arts form such as drama, singing, painting and film. Although different places and cultures but with common medium and topics, KHAMCHANLA questions the essence of human beings and reflects on his inspirations, career, interaction with others and problems of the others.
