三个各有千秋的悍妇，三段啼笑皆非的爱情；
三个风格迥异的男人，三种费尽心思的手段。
当母女成为情敌，谁输谁赢？
当契约成为真情，该相信还是该怀疑？
当仇敌成为爱侣，会幸福还是哭泣？
当情人成为对手，谁会获得生活的胜利？
甜言蜜语和拳脚相加，哪一个才是爱情的本质？
夫唱妻随还是妻唱夫和，哪一个才是生活的不二法门？
彪悍的到底是人生还是生活？
脆弱的究竟是爱情还是感情？
It is about three shrews and their love stories that will make you cry out your laughs.
Three husbands and their sheming tricks that will bring you the tears of joy.
It is a comedy that would make you wonder
When mother and daughter fall for the same man, who will be the winner of the battle?
When a piece of contract become a true romance, shall we treat it with faith or doubt?
When enemies become love birds, what it takes to have a happy ending?
When love birds become competitors, what it costs to be the victor?
Which one is the nature of love, sweet talks or ceaseless quarrels?
Which one is the wise choice of life, following the man or listerning to the wife?
Is the life or the live being nasty to us?
Is love too frail to be true?

2、导演介绍：

谢昱缇：来自边境却不神秘的全面发展型戏剧文青，编剧出身，做过演员,做过导演。承袭于学院派风格，却力图在传统前放浪形骸。坚持走艰难而孤独的路，但，乐此不疲。不做，或做最极致。主要编导作品有：话剧《彼岸》、话剧《4.48精神崩溃》、话剧《非情勿扰》、话剧《孤单星球》、话剧《关公貂蝉的后现代情感调查报告》、儿童剧《妈妈我爱你之宝莲灯传奇》、电视电影《暮年的困惑》等。
XieYuti was born in a territory of mystery while herself being the opposit of mysterious. Have been a scriptwritera performer, a director. XieYuti is always working as a fearless challenger and creative practitioner of the academism. ‘Either to do the best, or not to do’, Yiti is always going to be on the road.She is known for:The Other Shore(script and performing), 4.48 Nervours breakdown   (script and performing), The Lonely Planet(script and performing), Take me out( script and directing), A post-modern report of the romance of Guangong and Diaochan (script)
I love you mum (script), Wonders in My Twilight Years (script).

3、导演的话：

这是一次大胆的尝试，将莎士比亚的经典喜剧《驯悍记》用全新的视角和形式呈现在北京国际青年戏剧节的舞台上。以极简的舞台构建出多维的舞台空间，以女性主义作为切入点，重新解读经典并灌注当今现下的情感内核。尝试创作摇滚十四行诗，将现场音乐融入于整体叙事。这一切不是为了颠覆，而是为了重现。情感很脆弱，但有时候却异常坚韧，甜言蜜语谁都会，但是却往往忘了──拳脚相加才是爱情的本质。
“It is a bold challenge for me this time, to do a rifacimento of Shakespears’ classic comedy, The Taming of the Shrew. It will be shown on this year’s Beijing Fringe Festival with a brand new point of view. I am trying to utilize the most simple scenery to create the most splendid interaction of modern drama and rock music. This show will be take contemporary feminism as the entry point to reproduce a classic play. I am also trying to rewrite Shakespearean sonnets with a strong influence of rock music, and use music as a tool of narration.It is all for the purpose of relighting the classic, rather than overthrowing the tradition.Love is fragile, sometimes tough. Love is sweet, but don’t you forget, love also hurts. ”

4、对莎士比亚的一句话

你知道一见钟情吗?就是当那个人出现在你的面前你感觉整个世界都亮。一见钟情,我对你一见钟情
Do you believe in love at the first sight? It