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2017北京舞蹈双周 - 另类舞台节目三《亚洲的声音 - 三角、易象》
《亚洲的声音–三角、易象》
Voice of Asia –Trikonanga, Scape of YI
编舞：赫玛·帕拉尼、吴易珊
Choreography: Hema Bharathy PALANI, WU Yi San
演出：赫玛帕拉尼（印度）、易制作（中国台湾）
Presented by: PALANI (IN), Yi Production (CN TW)
演出日期/时间：2017.07.28（周五） 17:00
Performance Date/Time: July 28th, 2017 (Friday) 17:00
演出场馆：北京天桥艺术中心小剧场
Performance Venue: Studio Theatre, Beijing Tianqiao Performance Arts Center
演出时长：22分钟、50分钟
Program Duration: 22 mins, 50 mins
演出票价：￥120
Ticket Info: ￥120
《三角》
Trikonanga
编舞：赫玛·帕拉尼
Choreography: Hema Bharathy PALANI
导演：贾雅彻德伦·帕拉兹
Director: Jayachandran PALAZHY
音乐及影象：扬妮克·雷恩
Sound & Video: Yannick RAYNE
灯光：皮彭
Lighting: Pipon
服装：奥丽莉亚·里昂，妮科尔·默尔
Costume: Aurelia LYON, Nicole MURRU
节目简介：
融合了印度古典婆罗多舞、芭蕾舞及现代舞的语汇，成为帕拉尼独有的舞蹈风格。作品链接了从头、腹、至趾的动作，使其游弋于身体与空间中的无数三角关系中。《三角》同时糅合了印度古典舞中的三种表达方式，即肢体、语汇与情感，传达九种情绪之间的变化，体现现代女性对传统的诠释。
Trikonanga explores three essential dimensions that is representative of Hema Bharathy PALANI’s unique movement language and approach to dance. The piece combines distinct physical ties of three dance forms – Bharatanatyam, contemporary and ballet. It traverses across various emotional states, bridging the three pivotal regions of the body – head, navel and toe, and the movement leaves traces of triangles in the body and in space. Alluding to the concept of navarasa (nine emotional states), from classical Indian dance forms, Trikonanga embodies nine passages that employ three major devices of enactment – angika abhinaya (physical expression), vaachika abhinaya (oral expression) and saatvika abhinaya (inner emotional expression).
编舞介绍：
赫玛·帕拉尼
居住在印度班加罗尔的帕拉尼是一名备受赞誉的舞者，是印度最具潜力的青年现代编舞家。她以流动性、音乐性以及令人回味的表演著称。她在传统库契普迪舞和婆罗多舞的熏陶下钻研当代舞的表现能力。目前，帕拉尼在阿塔卡拉利肢体艺术中心担任排练总监，同时兼任编舞、表演者以及导师。
Hema Bharathy PALANI
An award-winning choreographer and dancer, Hema Bharathy PALANI is based in Bangalore, India and is one of the promising young talents in contemporary dance today in India. She is known for her fluidity, musicality, and evocative performances. Her classical Kuchipudi and Bharatanatyam training serve as her roots while she delves into expressive capabilities of contemporary dance. Currently, PALANI is rehearsal director with the Attakkalari Centre for Movement Arts, where she also works as a choreographer, performing artist and teacher.
www.hemabharathy.in
鸣谢Acknowledgement:
Ballet National De Marseille, France
马赛国立芭蕾舞团
《易象》
Scape of YI
编舞：吴易珊
Choreography: WU Yi San
音乐：王榆钧
Music: WANG Yu Jun
灯光：吴文安
Lighting: GOH Boon Ann
服装设计：朱珉萱
Costume: CHU Min Xuan
导演：曾百瑜
Director: TSANG Pai-yu
节目简介：
此作品受艾伦·莱特曼《爱因斯坦的梦》的文本启发，在时间与记忆的缝隙里仔细体察世事？常。在《易象》中？们开拓视野以观察与批判人、事、物、关系、情感等变化多端的景象。即便浑沌失序、骚动不安，人类的青春与兽性依旧能引起强大的欲望与亲密行为。舞者们以肢体语言叙述角色的自我世界，并开展与他人之间的对话。在时间、空间、质量都快速异变的网络时代中，我们寻找着一种自我存在的形式——人性中最虚幻的现实。
Scape of YI is inspired by Einstein’s Dreams by Alan LIGHTMAN, Scape of YI reflects the microscopic observations of human nature through time and memories. The piece takes audience to broaden his/her scope and serves as critique to the lively scape of human beings, of things, of relationships, and of feelings. Youthfulness and animal instincts induce strong desire and intimacy despite disorders and instabilities occur. In this internet era full of speedy changes, one searches for one’s existence - the most unreal reality in human nature.
编舞介绍：
吴易珊与易制作
生于台湾的吴易珊曾是城市当代舞蹈团的资深舞者，现任教于台北艺术大学舞蹈系。2016年，她与一同在艺术领域耕耘超过二十年的吴文安和孙美惠联合成立“易制作”舞团。基于“知易而思变，知不易而行之”的精神，他们将易制作搭建成跨国、跨时代和跨范畴的平台，通过编创传达“跨”的当代面貌，以行动展现“易”的精髓，并通过“年轻”使其得以传承。易制作重新诠释对“当下”与“人”的本质思考，创造艺术在生活中真挚而深刻的重要价值。
WU Yi San
Born in China Taiwan, WU Yi San was a dancer with the City Contemporary Dance Company for years and is now a teacher at the Taipei National University of the Arts. In 2016, she, along with GOH Boon Ann and Sunny SUN Mei Hui, co-founded Yi Production. In the spirit of “understanding impermanence, so we change; perceiving difficulties, so we act”, the three artists built up Yi Production as an international, cross-generational, and interdisciplinary platform. Through productions and performances, Yi Production aims to convey modern dance is full of contemporary multiple disciplines and spirits, and to reinterpret the essence of ‘presence’ and ‘human being’, create the importance and the genuineness of art in life.
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