Co-producer VERONIKA BACHFISCHER
        ANTONIA MOHR
                     JONATHAN BRUCKMEIER
           GUNNAR SCHMIDT
Director  HANS-WERNER KROESINGER
Set design,contume,vedio ROB MOONEN
Music                       DANIEL DORSCH
Arts Cooperation             REGINE DURA
Dramaturgie ANNNALENA SCHOTT

艺术总监 General Artistic Director
彼德·施布勒 Peter Spuhler

彼德·施布勒出生于德国柏林，在奥地利维也纳著名的马克思·莱因哈特研修班学习导演和戏剧构作。在担任戏剧传奇人物乔治·塔柏里的助手后，1990年至1991年，他在维也纳剧院担任戏剧构作，后担任自由舞台导演。1993年他在德国阿尔特马克剧院/萨克森·安哈尔特州立剧院的儿童青年剧院担任导演。1998年他进入罗斯托克人民剧院，在此他出任主任戏剧构作，后成为戏剧部的导演。

2005年至2011年，彼德·施布勒在海德尔堡戏剧和交响乐团担任艺术总监，和他的团队创造了造访人数和票房收入的记录，将观众扩展到更年轻的群体中。2010 年，剧院因为对视力和听觉残疾的歌剧特殊观众做出的努力，被评选为“全国最有创意的365个地点之一”。从巴洛克歌剧到推崇新剧本写作的“海德堡集萃”戏剧节，剧院通过独特、革新的演出季策划获得了闻名全国的声誉。跨界项目“希望号角”（Das neue Wunderhorn）获得了“新听觉奖”（Junge Ohren Preis），该项目由德国联邦文化基金支持，在音乐总监科尼利厄斯·梅斯特和艺术总监杨 · 林德斯的带领下，将海德堡400 多名市民聚集在一起。此外，戏剧部还发起了一个全新的项目，展开与以色列特拉维夫拜特莱辛剧院长达两年、分六部分的合作。至2012年，施布勒通过各种方式完成了剧院带耗资数百万欧元的翻新与重建工作。

2011年至2012年演出季开始，彼德·施布勒担任德国巴登州卡尔鲁斯厄国家剧院的艺术总监。为拓展艺术领域和观众群，除了歌剧、音乐会、芭蕾、戏剧部，他又增设了两个新部门，为儿童和青年设立“青年剧院”，为所有市民设立“人民剧院”。通过不断改编歌剧，这里成为“全国创意之地”。剧院获得了最佳歌剧演出奖。有着350 多年历史的巴登交响乐团获得了最佳音乐会奖。国家剧院的艺术家曾多次荣获德国戏剧大奖“浮士德奖”。2014年，米菲·安德雷德获得最佳舞蹈演员奖。施布勒和他的团队发起了很多与外国的合作，其中有很多是安特卫普、布鲁塞尔、根特、布拉格、旧金山和特拉维夫的知名歌剧院。戏剧部曾与法国、罗马尼亚、第比利斯和特拉维夫的剧院合作。大多涉外项目是由歌德学院和联邦文化基金支持。

彼德·施布勒是德国戏剧构作协会的常任理事，于2007年至2011年出任主席，同时是德国表演艺术学院、法国歌剧导演协会、法国戏剧经理协会和“欧洲歌剧”协作网络的理事。施布勒还经常担任客座教授进行教学，也频繁在一些评委会和咨询机构担任职务。

Peter Spuhler was born in Berlin, Germany, and studied directing and dramaturgy at the prestigious MaxReinhardt-Seminar in Vienna, Austria. After assisting theatre legend George Tabori, he worked 1990/91 as dramaturge at the Schauspielhaus Wien and subsequently as free lance stage director. In 1993 he became director of the Children and Youth Theatre at the Theater der Altmark / Landestheater Sachsen Anhalt-Nord in Stendal, Germany. In 1998 he moved to the Volkstheater Rostock, where he started as head dramaturg and later became director of the theatre department.

From 2005 to 2011, Peter Spuhler was artistic director of the Theater & Orchester in the city of Heidelberg. He and his team achieved record numbers of visitors and revenue and reached out to new and younger audiences. In 2010, the theatre was awarded as one of “365 places in the country of ideas” for making opera accessible for the visually and aurally impaired. The theatre gained nationwide reputation with an exceptional and innovative programme, ranging from baroque opera to the festival of new drama, “Heidelberger Stückemarkt”. The first “Junge Ohren Preis” was awarded for the interdisciplinary project “Das neue Wunderhorn”, funded by the Federal Cultural foundation and bringing together over 400 citizens of Heidelberg under the musical direction of Cornelius Meister and the artistic direction of Jan Linders. The theatre section initiated a six part, two year partnership with the Beit Lessin Theatre in Tel Aviv, Israel. Spuhler brought a multimillion renovation and reconstruction project under way that was completed in 2012.

Starting with the season 2011/12, Peter Spuhler is general artistic director of the Badisches Staatstheater Karlsruhe. Widening the artistic scope and the audiences, he added two new departments to opera, concert, ballet and theatre, establishing the “Junges Staatstheater” for children and youth and the citizen participation department “Volkstheater”. With the project of a recycling opera, it became a “place in the country of ideas”. The theatre received the prize for the best opera programme. The 350+ year old Badische Staatskapelle was awarded the price for the best concert programme. Several times, artists of the STAATSTHEATER were nominated for the “Faust”, the German theatre awards. In 2014, Bruna Andrade won the prize as best dancer. Spuhler and his team initiated many partnerships with theatres abroad, among them coproductions with renowned opera houses in Antwerpen, Brussels, Ghent, Prague, San Francisco, and Tel Aviv. The ballet has performed in Bangkok, Basel and Winterthur. The theatre section has collaborated with theatres in France, Romania, Tbilisi and Tel Aviv. Most foreign activities were sponsored by the Goethe-Institut and the Federal cultural foundation.

Peter Spuhler was a long-standing member of the board of the Dramaturgische Gesellschaft and served as its chairman from 2007 to 2011. He is a member of the Deutsche Akademie der Darstellenden Künste, of the Chambre Professionnelle des Directeurs d′Opéra, of the French society of theatre managers and member of the board of the European opera network “Opera Europa”. Regularly, Spuhler teaches as a guest lecturer and is a part of various juries and advisory boards.

导演 Director
汉斯·维尔纳·克罗辛格 Hans-Werner Kroesinger

1962 年出生于波恩。曾就读于吉森大学应用戏剧学院，在安杰·维尔特（Andrzej Wirth）和汉斯-蒂斯·雷曼（Hans-Thies Lehmann）的指导下学习戏剧、剧场和媒体专业。两年后克罗辛格跟随罗伯特·威尔逊（Robert Wilson），并担任副导演与编剧。他还参与了包括《哈姆雷特机器》在纽约的一系列新剧目制作。1989年，作为海纳·穆勒（Heiner Müller）的艺术团队成员参与《哈姆雷特/哈姆雷特机器》，在柏林德意志剧院进行剧目制作。

1993年起，他开始在各大知名城市剧院与国家演出机构进行个人剧目制作，如柏林剧团，斯图加特国家剧院，柏林马克西姆·高尔基剧院以及一些独立院团，特别是柏林河畔赫贝尔剧院（HAU）、索非娅大厅剧场 、“径向系统”、柏林波德韦尔剧院、杜塞尔多夫自由剧院论坛（FFT）、德累斯顿赫勒劳节日剧院（Hellerau Festival Hall）以及苏黎世Gessnerallee剧院等。

克罗辛格的作品曾受邀参加汉堡“独立剧院中的政治”（2003年，2007年与2011年），国际戈泽（Int. Keuze，2007年于鹿特丹）以及“冲动”（Impulse，2009 年于北莱茵-威斯特法伦州）等著名独立戏剧节。2007年，克罗辛格获得由柏林州颁发的格林兄弟奖，褒奖他在柏林帕考尔剧院制作的《儿童转移计划》所取得的成就。

Hans-Werner Kroesinger was born in Bonn in 1962. He studied drama, theatre and media from 1983 to 1988 under Andrzej Wirth and Hans-Thies Lehmann at the Institute for Applied Theatre Studies of the Justus Liebig University Gie？en. In 1987, while he was still a student, Kroesinger began working as an assistant director and dramaturg for Robert Wilson, a position he held for two years. He was involved in Wilson’s productions of Hamletmachine in New York, Salome in Milan and The Forest in Berlin. In 1989, he was a member of the creative team for Heiner Müller’s production of Hamlet/ Hamletmachine at the Deutsches Theater Berlin.

Since 1993, he has directed his own productions at prestigious municipal and state-funded theatres, such as the Berliner Ensemble, the Staatstheater Stuttgart, the Bayrisches Staatsschauspiel and the Maxim Gorki Theater Berlin, as well as on the independent scene, above all at the Hebbel am Ufer (HAU), the Sophiensaele, Radialsystem, the Staatsbank and Podewilin Berlin , the Forum Freies Theater (FFT) in Düsseldorf, the Festival Theatre at Dresden-Hellerau and the Theaterhaus Gessnerallee in Zürich.

Kroesinger has been invited to take his works to high-profile national and international festivals, including Politics in the Independent Theatre (Hamburg, 2003), Cultura Nova (Herleen, 2008) and Impulse (North Rhine-Westphalia, 2009). In 2007, the director was awarded the Brothers Grimm Prize of the Land of Berlin for his Kindertransporte, a production for children and young people at the Theater an der Parkaue in Berlin.

德国巴登州卡尔斯鲁厄国家剧院
剧院简介Introduction Badisches Staatstheater Karlsruhe

德国巴登州卡尔斯鲁厄国家剧院前身可追溯至18世纪的公爵宫廷剧院，现在，剧院由6个机构组成：演出歌剧和音乐会的巴登国家管弦乐团（世界上最古老管弦乐团之一）、演出芭蕾舞剧的国家芭蕾舞团、演出传统和创新戏剧的戏剧院、为儿童和青年项目而设立的青年国家剧院，以及最新成立的致力于实验剧的人民剧院。前五个剧院均有自己的演员，管弦乐队99人，合唱团50人，芭蕾独舞、歌剧、戏剧和青年部演员各30人左右。加上技术人员和行政人员，永久雇员超过700人。这使卡尔斯鲁厄国家剧院成为世界最大综合剧院之一，同时也是该地区雇员国籍最多的剧院之一。剧院雇员来自40多个国家。大多数歌剧演出都有英语字幕。

多彩优质的演出和卡尔斯鲁厄国家剧院的盛名吸引了来自莱茵河两岸、普拉蒂纳特、法国、卡尔斯鲁厄的观众，德国最高参议院的官员也是座上宾。每年春季举办的汉德尔艺术节吸引了全欧洲的歌剧爱好者。

彼得·施布勒在2011年至2012年任艺术总监。他和他的部门总监团队一起，向当代作品和话题、城市和新观众开放了国家剧院。新作品除了瓦格纳歌剧和一系列法国歌剧外，每年剧院还制作政治歌剧，例如美国约翰·亚当斯的《原子博士》、波兰米奇斯瓦夫·魏因贝格创作的关于屠杀幸存者见到集中营守卫的《旅客》，2017年世界首演的以色列作曲家多尔曼关于瓦格纳家族的《瓦恩弗里德》。国家芭蕾舞团创作了叙事芭蕾剧，最新一部作品是关于可可·香奈儿和伊戈尔斯特·拉文斯基《小黑裙》、巴西舞者、编舞创作雷吉纳尔多·奥利维拉创作的《安妮·弗兰克》。戏剧院演出了彼德·史路特戴、克劳斯·彼德·史路特戴、克劳斯·韦莱特、赫尔曼·黑塞、韩炳哲的哲学剧本。埃尔弗里德··耶利内克、彼得·汉德克、沃尔夫拉姆·洛茨、尼斯-姆米斯托克曼的当代戏剧，以及关于痴呆症、安乐死、公民自由、美国国家安全局斯诺登等社会问题的剧本。

新成立的针对儿童和青年的实验参与剧院将国家剧院和城市联系在了一起，产生了新的观众。项目重点放在学校、学生、特殊群体以及弱势群体。近期国家剧院正在创作难民题材的演出。每年四个场馆和相关活动中，总计有超过三十三万观众观看近900场演出。35部新创剧目和50部复排剧目每晚在德国剧目体系中轮番上演。这个体系拥有大量的观众基础。平均每人每戏剧季观看10部歌剧、芭蕾和戏剧。

卡尔斯鲁厄国家剧院是两年一届的“欧洲文化日艺术节”的联合制作方。自2013年起，最大的为欧洲年轻导演而设的艺术节——普雷米埃艺术节，在国家剧院和法国斯特拉斯堡轮流举办。近日，德国的演出剧目两次在“德国——创想的沃土”比赛中获奖，一次是儿童歌剧《罗宾汉》，另一次是凭借《TheaBib&Bar》。白天，宽敞的大厅向学生开放,为他们提供一个免费的学习空间。作为过去12个月最值得关注的十部作品之一，《国家剧院的绊脚石》受邀参加了2016柏林戏剧节，即德国最具声誉的戏剧节。

国家剧院是欧洲歌剧和欧洲戏剧协会中活跃的成员。近日受邀到瑞士和泰国巡演，2016年10月将参与曼谷国际艺术节中舞蹈和音乐的演出。曾多次受邀到韩国大邱演出，近期在土耳其伊斯坦布尔组织了西门子歌剧青年歌手大奖赛。

戏剧院曾和罗马尼亚、特拉维夫、曼谷的同仁联合制作新剧目。正在筹备和格鲁吉亚、伊朗的合作。曾受邀到美国、捷克、法国、挪威、波兰、瑞士以及中国的演出。这些活动大多由歌德学院和德国联邦文化基金会支持赞助。

国家剧院的主体建筑落成于1975年，将于2019年开始进行主体翻修和扩建，为期10年，花费数百万欧元，由巴登-符腾堡州和卡尔斯鲁厄市资金支持。维也纳注册建筑设计师Delugan & Meissl竞标成功，将根据21世纪剧院的需求翻新建筑。

Mentioned in the early 18th century as the ducal court theatre, the BADISCHES STAATSTHEATER KARLSRUHE today encompasses six departments: OPERA and CONCERT with the BADISCHE STAATSKAPELLE, one of the oldest orchestras in the world, as well as ballet performances by the STAATSBALLETT, classical drama and new plays by the SCHAUSPIEL (theatre), a program for children and youth by the JUNGES STAATSTHEATER and the newly founded experimental participatory department: VOLKSTHEATER. The first five departments have their own ensembles, with the orchestra numbering 99, the chorus 50, and around 30 soloists each for ballet, opera and theatre and youth section combined. With technicians and administrative staff, the number of permanent employees adds up to over 700 and makes the STAATSTHEATER one of the biggest multi-department theatres worldwide – and one of the most diverse employers in the region: Its employees have their origin in over 40 nations. Most opera performances are surtitled in English.

The varied program and the reputation for high quality of the STAATSTHEATER draws audiences from both sides of the Rhine, from the Southern Palatinate and from France to Karlsruhe, the former capital of the state of Baden and the seat of Germany’s supreme courts. The INTERNATIONAL HAENDEL FESTIVAL, held every spring, has appeal to baroque opera lovers from all over Europe.

Peter Spuhler took over the general artistic direction in the 2011/12 season. With his team of department directors, he has managed to open the STAATSTHEATER to contemporary works and topics, to the city and to new audiences. Besides new productions of all Wagner operas and a line of French operas, the STAATSOPER is producing one political opera per year, e.g. Doctor Atomic by the American John Adams, The Passenger about a Holocaust survivor meeting her guard by Mieczys？aw Weinberg from Poland, and, in 2017 as world premiere and commissioned work, Wahnfried about the Wagner family by Israeli composer Avner Dorman. The STAATSBALLET has commissioned new narrative ballets, most recently Das kleineSchwarze about Coco Chanel and Igor Stravinsky and Anne Frank by young Brazilian dancer and choreographer Reginaldo Oliveira. The SCHAUSPIEL has staged philosophical texts by Peter Sloterdijk, Klaus Theweleit, Hermann Hesse and Byung-Chul Han, contemporary plays by, among others, ElfriedeJelinek, Peter Handke, Wolfram Lotz and Nis-MommeStockmann, and devised texts on socio-political topics as dementia, euthanasia, civil liberties and the NSA and Edward Snowden.

The newly founded departments for children and youth and participatory theatre have linked the STAATSTHEATER to the city and created new audiences. Much emphasis is put into educational programs reaching out to schools, students, special interest groups and disadvantaged citizens. Currently, the STAATSTHEATER is developing programs for and with refugees. All in all, now more than 330.000 people annually watch around 900 performances in four venues plus additional events. The 35 new productions and 50 re-runs are performed in the German repertory system with a different program every night. This system is supported by a large subscriber base; most of the subscribers watch at least 10 shows of opera, ballet and theatre per season.

Every two years the STAATSTHEATER KARLSRUHE is one of the co-producers for the EUROP？ISCHE KULTURTAGE (European Culture Days) festival. Since 2013, PREMIèRES, the largest festival for young European directors, is hosted here in an annual rotation system with the National Theatre and Le Maillon in Strasbourg, France. Recently, the STAATSTHEATER has been awarded the title of best opera house and best concert program in Germany. It has been awarded twice in the context of the "Germany - Land of Ideas"  contest, once for the children